Last night – Subtropical China held a special screening of ‘Journey: Improvised – Damo Suzuki’s China Tour And Beyond’ – a short documentary that follows the adventures and musings of the legendary Damo Suzuki, former singer of krautrock band Can, on his first ever China tour. Accompanying the screening (which will drop online this week) were two very special performances held in Aotu Studio‘s backspace that find solace in the sweet spot between music and art. First, experimental guitar lord Li Jianhong find the subtle yet jagged (and often times abrupt) menace within his electrified guitar strings while contemporary dance improviser Emily Wong moved her away around the “soundmines” and studio space of Auto Studio. Later on, experimental composer, performer, sound artist and instrument builder Viola Yip used the ‘electric flow and the vibrations of flickering light bulbs as a sound source’ with two fascinating makeshift instruments – creating a mesmerizing symphony of currents and magnetic tension that acted both as a electronic performance as a visual art piece as lights and shadows danced in the background. A truly unique audio-visual experience and a feast for both the ears and eyes.
GUZZ – An Elephant in the Jungle (Modernsky Lab 11/5) The Fallacy 疯医 – 左手旁边 (Yugong Yishan 11/4) Hiperson 海朋森 – 追和等 (live) (Yugong Yishan 11/4) The Shanghai Restoration Project – The Complex (Yue Space 11/4) Stolen 秘密行动 […]
Chinese national rock filtered though the glory days of grunge, 80s synth meets witch house, angular new wave indie rock grooves, and a cosmic psychedelic free improve guitar trip – things get downright weird this […]
Stopped by the new gallery space (and soon to be many other things) White Light-White Tower last week in Bataisi. While technically apart of Beijing International Design Week, the space is really just in its […]