It’s not often you get the chance to soak in doomy noise symphonies in a theater in the afternoon – so I jumped at the occasion to check out what DFA1989, the infamous doom drone collective, ‘with a constantly shifting line up of musicians with a diverse repertoire of instruments and talents’, had cooked up. And the answer: some dank ass, epic audio-sensory dreamscapes that manage to entice and engulf the senses while remaining tons of fun (at least for those who enjoy staring into the abyss). Better still, the band seems to have found a through line in their sound; a melodic arc that gives the looping drones and immersing layers and the devastating atmosphere an surprising emotional heft. These hooded mystics are onto something. Kudos to Magnet Theater for the deft meat locker aesthetics – very nice touch.
Tuesdays are my new jam! Stopped by the latest SOUND[E]SCAPES series at Yue Space where experimental artists and video directors are invited to perform together in the efforts to ‘create a dialogue of image and sound’. Dopeness indeed essentially […]
Grunge antics, prog rock gloriousness, embracing avant-garde doom tunes, and a heck ton of glow sticks. Just your average Nasty Wizard evening of mayhem as the Beijing label served their latest opus – a split […]
Day two of the LBM Xmas Mixer at DDC got downright psychotic – an explosive cocktail of some of the scenes most electrifying (and sometimes terrifying) acts. Backspace, the indie rock rookies of the year, who […]